「西部世界（Westworld）」第二季結束了，神劇暫告一段落。「西部世界」的神，是多一層意思的，原因是它探討了好些哲學課題，一些接近宗教領域裡人和神的關係、人類的根本存在意義、宿命論 vs 自由意志等大命題。當在第一季裡，我們問的還是「人工智能是否有自由意志？」，來到第二季，我們問的已經愈踩愈深地變成了「人類是否真的有自由意志？」。
神劇
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Percy Leung：敲擊樂手之苦
在我有份演奏的神劇，約瑟夫．海頓的「四季」中有 28 位小提琴手，即使其中一位出錯或是彈錯了一個音符，觀眾皆難以察覺。然而，作為敲擊樂手的我便沒有這般幸褔。在短短一節樂章中，我需要在 1 分鐘內兼顧敲擊低音鼓和鈸。當我猶如獨奏者般敲響這些樂器，正正由於它們迴蕩全場的響亮聲線，絲毫差錯都將顯露無遺。敲擊樂手若有半點差池，所有觀眾都一清二楚。
In my performance of Haydn’s The Seasons, there were 28 violinists. Hardly anyone in the audience, if any, would realise if a violinist had made a mistake or played a wrong note. However, this was not the case for me, who played the bass drum and cymbals together during the minute when I actually had to perform. As I was playing these instruments alone like a soloist, and because of the tremendous sounds that these instruments made, there was no hiding if I made a mistake. Everyone in the audience would know if I was late or early to an entry.